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Creativity and the Arts
The Mandala: An Archetype of Self and World
VAN JAMES
holds a BFA in drawing and painting from the San Francisco Art Institute, and is a graduate of Emerson College in England and the Goetheanum Painting School in Switzerland. He is a painter, illustrator, graphic designer, and visual arts instructor at the Honolulu Waldorf School, where he has taught for the past twenty-five years. He is a faculty and board member of Kula Makua — Teacher Training Program in Hawai'i, and a regular guest instructor at Taruna College in New Zealand and Rudolf Steiner College in California. He is chairman of the Anthroposophical Society in Hawai'i, editor of Pacifica Journal, and an award winning author of several books on art and archaeology, including Ancient Sites of Hawai'i and Spirit and Art: Pictures of the Transformation of Consciousness.
Two Week Program: July 13 - 26, 10:30 - 12:00
A mandala creates an enclosed circular space that represents the self (microcosm) within the universe (macrocosm). Mandalas have long been used in religious practices for visualization, meditation, self-realization and initiation. Hildegard von Bingen, Rudolf Steiner, Carl Jung, and the fourteenth Dalai Lama have all created mandalas and worked with their unique power to create sacred space. Carl Jung said: "The mandala symbol is not only a means of expression, but it works an effect. It reacts upon its maker. Very ancient magical effects lie hidden in this symbol, the magic of which has been preserved in countless folk customs . . . The fact that images of this kind have under certain circumstances a considerable therapeutic effect on their authors is empirically proved and also readily understandable, in that they often represent very bold attempts to see and put together apparently irreconcilable opposites and bridge over apparently hopeless splits." Using wax crayon and pastel, we will explore the traditional and contemporary use of mandalas, the mysteries of the divisions of the circle, the visual language of form and symbol, the principles of metamorphosis, theories of color use, and more, in order to create an archetypal sacred space, a picture of the self and the world.
Materials fee $45
Suggested reading:
The Secret Language of Form: Visual Meaning in Art and Nature, Van James (Rudolf Steiner College Press).
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